Showing posts with label phenomena. Show all posts
Showing posts with label phenomena. Show all posts

Thursday, 25 June 2026

‘New Energies’ Are Creating Mediumship For the Masses

​I first became aware of new energies in 1987, and the idea that appropriately trained and developed mediums would be able to utilize the new energies without the restrictions of applying older physical mediumship methods. This would give them the ability to not only speak about the spirit communicator but for the communicator to transfigure (transform outwardly) on the medium’s face - in lit conditions. When the right amount of energy is produced, and with enough audience participation, materializations of form would be produced within demonstrations in lit conditions that are good enough for all or most to appreciate.

Learning to produce phenomena such as ectoplasm, apports and materializations is usually a slow process that takes on average eight to nine years to develop. It requires the right conditions and one or more gifted, experienced mediums. Essential traditional conditions for producing phenomena, first and foremost, include harmony, darkness, a real willingness to persevere and take instruction from spirit to produce phenomena and that a specific room be set aside for this purpose. Energy can take a long time to build and is of a quite delicate nature, so no one sitting can guarantee results in the short term. But over time, repeated experimentation is known to produce results on a more consistent basis, as we saw in the Noahs Ark Society and Scole Experiment.

Ectoplasm is withdrawn from the body of the medium and on occasions, from sitters. Ectoplasm has been studied under the microscope and while it does not exist per se in its “ectoplasmic form” in the body, its constituent parts are gathered and produced in the body when a séance is to be undertaken. Ectoplasm is extremely light sensitive and in extreme cirsumstances, dangerous to the medium if stringent conditions are not adhered to, such as in the case of Helen Duncan who died after police intervened duing a séance. I suspect that she is not the only victim of intervention.

Physical mediumship training today is largely based on ‘old traditional methods’ which often produce great results after many years and only when conditions are exactly right, and on rare occasions, a crack of light can be introduced. These conditions have made it harder for modern technology to produce satisfactory recorded results of such phenomena but some have had success in this higly sensitive environment.

In places like Africa, full daylight materializations have been witnessed and of course, we have slightly different daylight materializations called ‘ghosts’. There are two forms of the apparition. One is technically a ‘recording’ which is triggered and replayed; the other comes under the heading of ‘interactive’ and is often labelled as poltergeist activity such as objects being moved and images captured on CCTV in all kinds of locations throughout the world.

The question then arises, as this type of activity does not seem to rely in any way on ‘séance conditions’, how is phenomena produced in such a contradictory manner when such strict conditions are otherwise imposed, and that any counterbalance to those conditions, however great of small, can void a séance?

The reason must be in the ‘age-old method of working’ and by this, I mean that once spirit and a medium embark on a particular development strategy, it is hard for those structures to be altered or indeed replaced. To do so from a logical standpoint is to throw away all that you have learned and become attuned to.

What are the New Energies?

The new energies encompass ‘new technology’ and enable mediums to demonstrate in lit conditions and a much safer and less restricted environment, we may start to see the emergence of new energy-based demonstrations in spiritual churches (as happens in places like Africa). I firmly believe that ‘Mediumship is for the masses’ and needs to be brought home to as many people as possible. At some point, with extra preparation, a transfiguration demonstration will be broadcast on TV. A wide reaching broadcast will enable more people who are unable to attend a physical demonstration in person, the advantage of a similar experience that is bound to expand their world view.

The significance of this is huge, not only in scientific terms but also in relation to the number of people who will be able to see new energy-based mediumship demonstrations firsthand, and better quality recordings of phenomena will reach more people than ever before. This is the aim of spirit.

Three primary benefactions:

1. Physical manifestations can be produced in ordinary light

2. They are safe to produce

3. When successfully achieved, phenomena can be photographed, filmed and reproduced to be shared around the world

This will have a profound effect on anyone who experiences this even remotely, and will begin to sweep away doubts and encourage not only a thirst for knowledge, but a true understanding of the spirit world and spirit communication in its many forms.

Preparing to work with the new energies

new energies

Neither I nor spirit are saying that the old methods have had their day but bringing the new energies and methods to the public in a different way will certainly not only grab attention but will inevitably, over time, naturally evolve into common mediumship practices. We already know that materializations can and do occur naturally, and usually spontaneously, but they are generally limited to those who ‘know’ and are steadfast in their Spirit World knowledge and experiences.

Spirit is aiming for trained and developed mediums to not only to give messages, but for transfiguration and materializations to also take place to confirm the communicator as real, whether remembered by the recipient or not - in broad daylight or in the light of a church or hall. I have transfigured at times when giving demonstrations and sometimes, mediums have confirmed that ‘mother’, for example, had come through but full materializations have not yet happened under those circumstances. To me, and I feel spirit too, what is most important is that not just mediums and ‘believers’ see and acknowledge the materializations and transfigurations, but people in the wider community who have never witnessed such an event. That, to my mind, and supported by spirit, is the way forward.

The role played by white light ‘technology’

Brilliant white light is the true expression and highest form of spirit, the primary energising and cleansing force, and its transformational power supercedes violet. In spirit, those who are highly evolved, unless they dim themselves, cannot be looked at because they are brighter than the sun. A specific form of white light comprised of blended chakra colours from both individual and group energies, plays a significant role when working with the new energies. Whereby a prism breaks white light into its basic colors, spirit guides use a reversed prism to transform the chakra colors into white light. This forms the basis of the ‘technology’ which is key to bringing higher abilities forward to harness the new energies.

In a development circle, each individual’s energy/light is used during the blending process and the seven chakras are linked horizontally through each sitter, forming bands of color which connect each sitter. A concentrated column of vertical energy also connects each individual within the circle and is focused on by spirit helpers and guides above the circle.

Spiritual development on all levels takes time and involves purifying and healing ourselves not just involve our physical, emotional and mental ‘bodies’ but also our astral (desire) body and etheric (life) body. Spiritual work inevitably results in the surfacing blockages caused by old traumas and wounds that need to be cleared. Clearing chakras assists in the healing process but a commitment to one’s healing path, preferably with the assistance and support of a qualified and experienced holistic practitioner, is recommended rather than trying to heal alone.

With practice, chakras can be opened simultaneously and instantly, and when the crown chakra is fully open, brilliant white light is drawn down through it and flows through the chakras which are connected to different areas of the physical body. A ‘plug’ or cap is set in place to stop any excess overflow from the crown and this energy can be used for self-healing and manifestation as it soothes, cleanses and energizes all of our ‘bodies’. It also begins to cleanse and remove blockages from this life and past lives it is a very powerful energizing and one that is undertaken every time we sit.

Consistantly cleaning, energizing, purifying and strengthening ourselves with the new energies ‘fills us with light’ and is a necessary practice for both aspiring mediums and practicing mediums alike, as we all need to be as best an instrument as we can be.

Tips for Mediumship Mentors

For me, the only way to help people develop their mediumship skills is through channeled teachings. Those who want to learn about spiritual history should do so of their own vocation. I feel that those who read from, or follow a curriculum too closely, restrict the real meaning of development.

We also need to be aware of and keep tabs on the spirit guides of each student and also connect with these communicators. There can be up to six or seven guides with each student and it’s important to connect with them before a message is given in order to assist with interpretation where necessary.

We all have an individual “personal code” in our heads in relation to certain things. For example, a red door would have a particular personal meaning or connection for us. A student getting this image needs to be able to make the right sense of it. Essentially, a teacher’s job is to:

~ make sure students understand what they get and their own personal, connective meaning

~ capture the feeling directly given from spirit at that particular time and be aware that it can have different meanings at other times

~ help them ‘join the dots’

This direct connection method cannot be taught from a book. It is something that is instinctive and channeled. Writing about just one example of this and explaining every possible outcome and connective meaning, cannot be covered in book. Teachers should be able to instinctively channel to each individual within the circle accurately, every time, for every occasion. That to me, is real teaching.

When new students join a circle, it is essential to scan them for any possible attachments and screen them for mental health issues or overburdening problems that could interfere with development. It is a very sad thing to say, but some institutions do not do this and that to me, is very dangerous.

It is also important to connect with newcomers and give them a short history of how they are spiritual. This is not to impress. The reason for this is to give them confidence in you as a teacher. There is one thing to be said about understanding that a person can teach you, but it is quite another to say “I have a certificate”.

Another difference in my teaching is this - the meditations are not restrictive. There is a very good reason for this. It differs on the night for each individual, and their guides, or more likely a companion, may take them on their own individual experience. Sometimes they are completely taken out of it and to me that is fine because I am not wise enough to know what they need; it can be they need healing etc.

After the meditation, depending on how many are in the group, give each individual a detailed review of what they have seen, felt, touched, smelt and experienced within that meditation time. For me, this is a very important function, as it allows me to see how they are progressing, what needs to be tweaked (along with the message giving later) and sets up a particular way of working and fine-tuning for the session.

Finally, the closing down procedure is a reverse of the opening but here again, I do teach everyone, especially those who may attend for only one night, a quick way of closing, and the reason why it has to be taught. There are times when we walk into a place and it might be the place itself, the people or spirits who are around, and feel uncomfortable. If, for whatever reason you don’t feel comfortable, closing down immediately is the best thing to do.

So many people, especially the untrained, reach out to understand what it is they ‘don’t like’ and go against their inner warnings. What we should teach is a way to close and reinforce protection. One method is to see the seven chakras as seven doors or padlocks, and slam them shut of them by a clap of the hands and ask our guides to be there.

In reality, of course, opening and closing are instigated in the mind, and we do not have to clap our hands. It can be done quite inconspicuously by just rubbing our hands or gently slap our thigh to initiate a fast closing down for protection, if needed.

I hope this short introduction to working with the new energies is helpful and interesting.

Light to all, always, Leo.

Note: This article was originally published in the Afterlife Magazine by The Otherside Press which has since joined the PDN group.

Sunday, 24 May 2026

Distinct Types of Fascinating Spirit Art

Nowadays, we find everyone is ‘a weekend medium/psychic/healer’ after completing one perfect course online, at an event or a workshop. And sadly, we often we see online writers, commenters and so-called ‘professional intuitives’ (especially the freshly minted ones!) who know loads more than many of the experts who have spent years researching and developing themselves on the spiritual matter/phenomena being discussed. It is frustrating and scary to think of the harm these ‘sudden experts’ can do to the image of the profession of spirit work. They may also negatively affect the historical and scientific facts within the macrocosm of Metaphysics, Spiritualism, and Spiritism worldwide. We have seen the damage-in-progress by so-called ‘scientists of the paranormal’ eager to discredit and ruin reputations of legitimate psychics and mediums worldwide – for the purpose of being known as a ‘professional’.

Spirit Art Types and Terminology

I believe it is of utmost importance for us to all understand the proper terminology and explanations for the various phenomena we can experience with the world of Spirit around us.

In this article, I have chosen to focus on the field of Spirit Art and its spiritual manifestations in this third dimension of life. When it comes to the phenomena of spiritual art and writing, we see so many now who use the terminology incorrectly due to their lack of proper education (and general ‘spiritual laziness’ to be honest) to take the necessary time to research proper terminology. Let’s look at the terminology we have used in both the past and present for the many varied Gifts of the Spirit (Bible, 1st Corinthians 12) being expressed across our planet:

∞ Inspirational Art (conscious)
∞ Automatic Art (conscious & an effect of mediumship)
∞ Painting Mediums (entranced)
∞ Direct Art (an effect of mediumship)
∞ Precipitated Art (an effect of mediumship)

Inspirational Art – Many are aware of intuitive (psychic) artists who draw, paint or write through inspiration. The inspiration comes into the intuitive’s mind whereby the conscious artist is impressed to create something via their hands, even their feet. Psychic art tends to be inspirational. Mediums that draw or paint personalities from the spirit world fall into this category. The words ‘psychic’ and ‘spirit artist’ seem to be commonly used for such works.

Automatic Art – As we continue with conscious artists as an important factor in said phenomena, we find automatic art as a type of mediumship whereby spirit personalities control the artist’s limbs (hands and/or feet) ‘through the ethers’ by directly controlling the limbs through an external unknown force. Using an internal force, spirit personalities can also harmonize with the mind and central nervous system of the artist to control their nervous system which moves the hand without the conscious influence of said artist. Mediums of note exhibiting automatic art (also known as Psychography) were Chico Xavier (Brazil) and Helen Smith (France). Please know that both were generally known as automatic writers with occasional automatic drawings of beauty.

Painting Mediums – Many have surely heard of entranced mediums painting in styles eerily familiar to the great masters painters (ie. Picasso, Monet, etc.) These mediums are generally in an altered state (entranced) so they are not conscious of what’s being painted or spoken to an audience through themselves. Spirit personalities merge succinctly with the artist achieving entrancement whereby the Spirit has full control of all bodily faculties necessary for painting. Brazil is rich with the Spiritist history of such mediums, even today. Mediums of note who exhibited painting mediumship were:
Luiz Gasparetto (Brazil), Jose Medrado (Brazil), Valdelice DaSilva Salum (Brazil) and David Duguid (Scottland).

Direct Art – Process whereby Spirit uses several forces including those from the medium to materialize ‘pseudopodia limb(s)’ necessary for maneuvering the coloring and writing instruments. Many believe incorrectly that such painting and writing phenomena occurred predominately since Spiritualism began less than 200 or more years ago. Theologians and historians have noted such examples going back two thousand years. When one reads, for example, the Biblical Babylonian account of King Belshazzar’s temple being visited by a materialized, disembodied ‘floating hand’ which ‘wrote upon the wall’ the King’s demise to come (Daniel, chapter 5).

Here we have a materialized hand appear independent of any physical person. The hand intelligently writes in a ‘strange and foreign tongue’ upon the wall. This is an example of direct art whereby spirit causes unknown forces to act upon tools such as paint brushes to create art and writing. One medium of note to have documented accounts of such was David Duguid (Scottland). An exceptional book on the subject: Bennett, Edward T (1908): The Direct Phenomena of Spiritualism: Speaking, Writing, Drawing, Music, & Painting: A Study. William Rider & Son.

spirit
(Cover of the Direct Phenomena of Spiritualism)

My question for Spirit on this phenomena would be – where did the pigment come from for suddenly writing? Think precipitation, one must conclude!

Precipitated Art – A curious word is ‘precipitated.’ It means a substance caused to be deposited from a solution. Snow, rain, fog – even ash, are examples. Most recall the precipitated painting stories of the Bangs Sisters and the Campbell Brothers (actually gay partners in unforgiving times.) Some may recall the holy faces of Christianity’s Byzantine period, Acheiropoieta, ‘made not by human hands’ (ie. the Veil of Veronica.) Holy images precipitated onto cloth through intelligent spirit control.

And yet many have heard little of David Duguid of Glasgow, Scotland (1832-1907). He was a physical medium known for automatic, direct and even precipitated art. In his later years, his precipitated paintings were no larger than 2 inches by 2 inches (5cm x 5cm) produced between his clasped hands while the sitter held the tiny, torn off corner of the card being developed, so as to remove potentials of fraud. The Arthur Findlay College’s Museum (England), on its second floor, holds and displays occasionally up to three owned Duguid precipitated cards with their tiny torn corners sitting beside them. I have seen such artifacts first hand on my past visits there.

In the United States, we have some awareness in the minds of those following Spiritualism and Metaphysics, of precipitated art as a possibility. While I personally know of less than a dozen U.S. mediums in various stages of precipitation development, there is truly only one man at the forefront of this craft – Rev. Hoyt Z. Robinette (Camp Chesterfield, Indiana). He travels around the U.S. for part of the year to share this highly evidential ability. His precipitated spirit cards are breathtaking and infused with vibrant and rich colors. Once you have seen one, you will never forget them.

Gifts of Spirit

An interesting side note I’m excited to share, is that due to my extensive knowledge and passionate experiences with precipitation art over these years, Spirit told me in a séance that I’d be helping a lady in England. Sure enough, two years later in 2015, on an Autumn trip to the Cobber Hill Retreat Center near Scarborough, England to experience the remarkable, yet humble, Stuart Alexander – I met a ‘little dove’ who was eager to hear about my fascination with precipitated art and to witness the small collection of such artifacts I had brought along to share with others. This lovely lady was spirit artist Sandy Ingham (UK). I soon taught her all she needed to know to begin developing such ability and within a short time her efforts paid off with rudimentary precipitation upon blank index cards. Her guide, Leonardo da Vinci, guided her development away from the cards and towards her steady spiritual work of drawing loved ones in Spirit for public audiences.

spirit
Leonardo Da Vinci (Image - Canva)

Leonardo soon began to manipulate the light’s qualities in the projected images (of her real time live drawings) upon the church walls and evidential eye colors began to appear occasionally in the projected light images. For the last year, attendees receiving her black charcoal drawings (no color tools are used) found eye coloring and/or skin coloring fused upon the drawing they had taken home – which was NOT there prior to departing the demonstration. In all honesty, this is incredibly remarkable and has not occurred in Europe for some 150 plus years of documented mediumistic phenomena. Sandy and Leonardo are bringing forward new paradigms of highly evidential potential, certain to infuse our Spiritualist and Metaphysical movement with much-needed spiritual possibilities.

‘Gifts of the Spirit’ are as varied as God’s flowers on the earth… And art is an outward expression of an inside state of being. Besides, who does not love art!? It stirs the soul and makes us joyful and happy. Art is the light emitted by the artist’s soul that truly nourishes us spiritually. If you have not considered adding art to your mediumistic tool belt, give it a try!

Who knows… ‘What Dreams May Come?’


Recommended Further Reading

Postcards from Heaven by Reverand Kevin Lee

Link: https://www.lifeafterlife.com/blog/precipitation-mediumship-rev-kevin-lee/

‘I Am Kevin Lee’ Website: https://iamkevinlee.com/