Friday, 13 March 2026

Dare You Meet the Owlman of Mawnan?

mawnan owlman
https://commons.wikimedia.org/wiki/File:Johannes_Meiner_Eulenkost%C3%BCm.jpg

​“The owls are not what they seem.” Twin Peaks

Cornish folklore tells of the cryptid Owlman (Kowanden in Kernowek), an owl-like humanoid creature first seen in 1926 in the quaint, but somehow forbidding, coastal village of Mawnan Smith, located in the south of the peninsula.

The Cornish ‘Mothman’ if you will.

The most famous appearance of The Owlman was in 1976

Surrealist artist, magician and writer Tony "Doc" Shiels (1938-2024), had a reputation as something of a trickster/hoaxer, and was already associated with a series of Cornish ‘monster-raising’ tall-tales in 1976 (sometimes aided by his coven of nude ‘witches’).

In the Spring of that year, he claimed to have investigated the curious story of two young girls on holiday who apparently witnessed a large, red-eyed, winged humanoid creature hovering above the tower of St Mawnan and St Stephen's Church on April 17th 1976.

mawnan owlman
https://commons.wikimedia.org/wiki/File:Saint_Mawnan_and_Saint_Stephen%27s_Church,_Mawnan_03.jpg

The girls - June (12) and Vicky Melling (9), were so rattled by the "feathered bird-man" their dad immediately cut their family holiday short and took them all home. Shiels said one of girls gave him her drawing of the beast, which he called "Owlman". The events were recounted in Anthony Mawnan-Peller’s (Mawnan?) pamphlet Morgawr: The Monster of Falmouth Bay, circulated throughout Cornwall the same year.

Sheils claimed "Owlman" was reported again a few months later on July 31st by two 14-year-old girls Sally Chapman and Barbara Perry, who had heard of the supposed creature. The pair were camping when they encountered "a big owl with pointed ears, as big as a man" boasting glowing red eyes and black, pincer-like claws, reminiscent of Spring-Heeled Jack, subject of a previous investigation of mine.

Irregular sightings of the beast in the vicinity of the church were shared in 1978, 1979, 1989, and 1995. According to local hearsay, a "loud, owl-like sound" was heard at night in the church yard during the year 2000.

​The 1995 incident was witnessed by an American tourist, who sent a letter to the then night editor of the Western Morning News, Simon Parker:

Dear Sir,

I am a student of marine biology at the Field Museum, Chicago on the last day of a summer vacation in England. Last Sunday evening I had a most unique and frightening experience in the wooded area near the Old Church at Mawnan, Cornwall. I experienced what I can only describe as a ‘vision from hell’. The time was 15 minutes after 9, more or less. And I was walking along a narrow track through the trees. I was halted in my tracks when about 30m ahead I saw a monstrous ‘Birdman’ thing. It was the size of a man with a ghastly face, a wide mouth, glowing eyes and pointed ears. It had huge clawed wings and was covered in feathers of silver grey colour. The thing had long bird legs which terminated in large black claws. It saw me and rose, floating towards me. I just screamed then turn and ran for my life. The whole experience was totally irrational and dreamlike. Friends tell me that there is a tradition of a Phantom Owlman in that District. Now I know why. I have seen the phantom myself. Please don’t publish my real name and address. This could adversely affect my career. Now I have to rethink my ‘worldview’ entirely.

Yours very sincerely scared Eyewitness.

​The creature was quiet for a few years but there were other strange occurrences recorded in Mawnan. In 1996 a woman reported a ball of light floating above the church. In 2003, two teenage girls (again) were listening to music in the church car park late at night (possibly indulging in some herbal recreation):

They too saw a glowing, pulsating globe of light hovering over the church. The girls said that they watched it for a while until it just vanished. The most recent sighting (that I know of ) was in September of 2009. It was reported that a 12 year old girl named Jessica Wilkins (or Wilkinson) saw the Owlman of Mawnan for the first time this century. Why all these strange happenings have occurred in the vicinity of Mawnan church is a mystery. There is some suggestion that the sightings are due to an escaped Great Grey Owl which can have a wing span of nearly 2m, has huge talons and can stand around 4.5ft tall. The only problem with this theory is the length of time over which the Owlman has been seen. Another theory is that the stories have something to do with the church standing in the centre of an ancient earthworks. Or perhaps because some researchers have detected a ley line (earth energy line) passing through the site? Other writers have said that sensitive and perceptive visitors have also described Mawnan Woods as being ‘alive’ with energy. Could that natural Earth energy be connected to the reports of the Owlman? (The Cornish Bird: Cornwall’s Hidden History Blog)

Tony Shiels - from Magonia Archive

​Shiels seems to be an admirer of John Keel, the British edition of whose classic The Mothman Prophecies appeared in 1976. As if in affectionate imitation there then came report of a Cornish counterpart, Owlman. This entity showed himself only to adolescent girls on holiday, who afterwards would chance to meet Doc Shiels, tell him their stories, and never be seen again. Three of the girls produced drawings of what they had seen, though there is some doubt about one variously described as "by June Melling", or "based on the sketch by June Melling", which is not the same thing. If it is her original, then like the other two, she had remarkably excellent draughtsmanship for a pre-teenager; in fact one might have guessed all of the pictures to have been the work of a professional artist (e.g. Doc Shiels).

Barbara Perry and Sally Chapman both wrote a brief description of the 'monster' underneath their drawings. Their handwriting is of interest. Graphologists know that there are some writing habits that can be consciously altered, for instance whether the letters are joined up or not, whereas others are very difficult to disguise. Chapman's and Perry's hands are very different in their alterable habits; Perry joins up some of her letters but Chapman does not but are remarkably similar in their unalterable ones. The ways they wrote "monster" are virtually identical, and they share several other habits, both putting the dot over the i to the right of the letter and beginning the crossbar of the t at the upright stroke. One could almost conclude they were one person pretending to be two.

Years later Jonathan Downes, the portly Devonshire cryptozoologist, did his own investigation of Owlman and located a man who said he had seen it when a boy; though his sketch of it looks like an imitation of the originals rather than an independent drawing from life. The same is true of a letter sent by an American student who had seen it while on holiday. Though she gave an address in Chicago and stated herself to be a student of marine biology, when Downes tried to contact her she was not registered as living there, and no department chief he spoke to on the telephone had heard of her. Downes' best known contribution was to star in the Owlman video, which also featured the director's wife as a naked lesbian Witch, while a professional sceptic was depicted as a maniac gay Nazi.

​But...back to 1926

From Sarah Coomer’s ​100 Ghosts: The Owlman of Mawnan (May 2021)

There had been reports of a very large angry bird type thing in the churchyard as far back as the 1920s, whose reputation was enough to attract the attention of loved up Surrealists Leonora Carrington and Max Ernst who allegedly performed rituals to try to summon the beast in 1937. But the most famous sighting of the Owlman occurred in 1976 - whilst holidaying in Cornwall, two (probably v bored) young girls caught sight of what they described as a very large bird with glowing red eyes and claws like blacksmith’s pincers hovering over the church, as reported to monster investigator, storyteller, magician and all round character Tony ‘Doc’ Shiels. A number of other sightings were sporadically recorded but dismissed as having been engineered by Shiels, who had a bit of a reputation as a hoaxer. It’s all so obviously utter nonsense, and easily explained away (er, it’s a big owl) but there’s something about it which has captured the imagination of fans of the unexplained / Surrealist painters for decades. The idea itself is terrifying, the environs evocative and a bit spooky and the name of the place is a gift, like something out of Lord of the Rings.

And this from The Cornish Bird: The Cornish Hidden History Blog

​In 1926 the Cornish Echo newspaper reported that two boys had been chased by what was described as a very large and ferocious bird. The terrified boys managed to escape and took cover behind a large steel grating. This first sighting attracted the attention of surrealist painters Max Ernst and Leonora Carrington. The couple visited Mawnan in 1937. There they are said to have performed rituals to try and summon up the half man half bird they called a ‘therianthorpes’. The Owlman featured heavily in both their artworks for the remainder of their lives.

​Lord Of Tears (2013) - In the film, the Owlman represents Canaanite god Moloch, who particularly savoured child sacrifice. Moloch has been connected to Bohemian Grove, a sinister ‘gentlemen’s club’ for wealthy elites who gather in the San Francisco woods and stand each summer before a giant moss-covered 40ft wooden owl statue erected there.

​The Owl Service

mawnan owlman
https://commons.wikimedia.org/wiki/File:Owl_Service_dinner_plate.jpgS

The Owl Service Episode One - transmitted Sunday, 21 December 1969, based on the Welsh legend of Blodeuwedd, turned into an owl for betraying her husband to death (all episodes available on YouTube)

​The Mothman Prophecies (2002)

Links:

https://commons.wikimedia.org/wiki/File:Bosch,_Hieronymus_-_The_Garden_of_Earthly_Delights,_central_panel_-_Detail_Owl_with_boy.jpg

Night Owl (full version) - Gerry Rafferty

Bird Song - Lene Lovich

​Blood Sweat and Tears - Suite from The Owl & The Pussycat (1970)

Stephen Arnell’s novel THE GREAT ONE is available on Amazon Kindle:

SAMPLE:

Stephen Arnell 06/02/26

Thursday, 12 March 2026

When Someone Appears: The Mystery of Crisis Apparitions

A quiet presence in an ordinary room, the kind many crisis apparition experiences begin with

​People sometimes describe a moment that only feels strange afterwards. Nothing dramatic at the time. A sense someone is nearby. A quick impression. Occasionally a voice, or the feeling of being watched.

Then life carries on.

The phone rings later. News arrives. A death. An accident. Something serious.

Only then does the earlier moment return and feel different.

Accounts like this turn up everywhere. Different cultures, different periods, very similar descriptions.

What are crisis apparitions?

Researchers eventually began using the phrase "crisis apparitions" for experiences reported around moments of danger, trauma, or death. The definition is simple, but the timing is what draws attention.

Most reports are spontaneous. People are not trying to contact anyone. They are going about their ordinary routines when something interrupts them. Often the person involved is emotionally close. The experience tends to feel unusually clear compared to daydreaming or memory.

Not everyone interprets these moments the same way. Some treat them as coincidence. Others see them as psychological responses. Parapsychology tends to step back and look at the pattern rather than the explanation.

Early Psychical Research

crisis apparitions and parapsychology
Early psychical researchers began collecting firsthand accounts in an attempt to understand these experiences rather than dismiss them.

​By the late nineteenth century, people had started writing these experiences down more deliberately. Instead of passing them along as stories, they were being collected, compared, and discussed.

The Society for Psychical Research, established in 1882, became one place where this happened.

The aim was cautious. Members were less interested in proving survival after death than in asking a simpler question. Did these reports appear often enough to take seriously?

One project, later known as the own but, asked large numbers of ordinary people whether they had ever experienced a vivid impression of someone who was not physically present, particularly around important events.

Some investigators felt a pattern might exist around moments of crisis. That suggestion has never been fully settled, but the material itself continued to be referenced.

The Admiral Tryon Case

A distant ship fading into mist, echoing the sudden loss at the heart of many crisis apparition reports.

​One example often mentioned in this context is the death of Vice Admiral Sir George Tryon in 1893. Tryon led the British Mediterranean Fleet. During naval maneuvers off the Syrian coast, a command resulted in a collision between HMS Victoria and HMS Camperdown.

The ship sank quickly.

In the period afterwards, a number of people connected to Tryon reflected on impressions they had experienced around that time. The accounts themselves were understated. What drew interest was when those impressions were said to have occurred.

Researchers approached the case carefully. It was not treated as evidence on its own, but as a reminder of how these accounts tend to surface and how difficult they are to separate from memory, coincidence, and grief.

Patterns Across Reports

Across many reports, certain tendencies appear. Emotional closeness shows up repeatedly. Experiences involving strangers do occur, but far less often.

Timing is harder to assess. Many accounts are described after the person learns about the crisis. Memory shifts in those moments. Meaning settles in quickly. Researchers have always acknowledged that problem.

Closeness appears again and again in these reports. Experiences involving strangers do occur, but far less often.

The repetition is not dramatic. It is simply persistent, which is part of why researchers keep returning to the subject.

Psychological Explanations

Psychology tends to begin from connection. People remain mentally oriented toward those who matter to them. Worry, expectation, coincidence, and memory can overlap in ways that feel striking afterwards.

Another factor is reinterpretation. Moments that seemed ordinary at the time may be reconsidered once new information arrives. Memory adjusts quickly in those circumstances.

Experiences of presence after loss are widely reported and do not necessarily indicate anything unusual in a clinical sense. For many people they are part of ordinary grieving. Crisis apparitions may represent an earlier point along that same spectrum.

Parapsychological Perspectives

Parapsychology approaches the question from a different angle. Rather than dismissing the experiences outright, it asks whether extreme situations might coincide with unusual forms of information transfer.

Some researchers describe this in terms of spontaneous telepathy or emotional signaling. The idea remains tentative. If anomalous communication exists, moments of crisis would be the most likely place to look.

That position does not resolve the question, but it keeps inquiry open.

Modern Research and Experience Studies

Modern research methods often rely on experience surveys rather than individual case investigation. Large collections allow researchers to look for recurring features even when verification is difficult.

Online reporting has changed the landscape. People share experiences quickly, sometimes before timelines are clear. That creates both opportunity and complication.

Crisis apparitions now sit alongside research into bereavement experiences, deathbed visions, and anomalous perception more broadly. The boundaries overlap but the timing element remains distinctive.

Why the Topic Persists

Reflecting on experiences that resist simple explanation is where crisis apparition research often returns.

These experiences sit in an awkward space. They appear too often to dismiss entirely, yet not with enough consistency to explain comfortably.

For many people, the meaning comes first. Explanation follows later, if it comes at all. Even those who lean toward psychological accounts often note how distinct the experience feels.

Researchers, meanwhile, focus on recurrence. Patterns raise questions even when answers remain uncertain.

A Quiet Mystery

Crisis apparition reports are rarely dramatic in presentation. They are brief interruptions. A sense of presence. A glance. A moment that only becomes significant later.

The Tryon case shows how these reports enter discussion. It is not unusual in structure, which is precisely why it is referenced. The details matter less than the pattern it reflects.

What keeps the subject alive is not spectacle. It is repetition. People continue to describe moments in which someone seems to appear at exactly the point something changes.

The explanation remains unsettled. The pattern does not disappear.

Further Reading

Phantasms of the Living — Edmund Gurney, F. W. H. Myers, Frank Podmore (1886)

Census of Hallucinations report — Society for Psychical Research (1894)

Apparitions — G. N. M. Tyrrell (1943)

New Frontiers of the Mind — J. B. Rhine (1937)

The Founders of Psychical Research — Alan Gauld (1968)

Parapsychology: A Handbook for the 21st Century — edited by Etzel Cardeña, John Palmer, David Marcusson-Clavertz (2015)

Saturday, 7 March 2026

Mackenzie Crook's SMALL PROPHETS rekindles the eerie world of Homonculi

prophets
https://commons.wikimedia.org/wiki/File:Liebig%27s_Sammelbilder_-_Homunculus_hovering_above_Faust.jpg

​Mackenzie Crook's critically lauded BBC2 comedy-drama Small Prophets has sparked renewed interest in ‘Homunculi’ - the strange sperm, blood and horse manure created tiny artificial humans or human-like beings of legend...or reality?

In the show, DIY store worker Michael Small (Pearce Quigley) is inspired by his aged father Brian’s esoteric tales of National Service in Egypt to attempt to create his own prophesying creatures. Why?

To discover what happened to his girlfriend Clea, who disappeared without explanation seven years ago on Christmas Eve:

What are Homunculi - and what are their origins?

​Psychiatrist, psychotherapist, and psychologist Carl Jung (1875-1961) believed that the concept of an (as yet unnamed as such) ‘Homunculus’ first appeared in the Visions of Zosimos, written in the third century AD. Zosimos was born in Panopolis in the south of Roman Egypt (a connection with Small Prophets) and wrote the oldest known books on alchemy, calling them "Cheirokmeta," for "things made by hand."

In the 1973 motion picture The Golden Voyage of Sinbad, evil sorcerer Koura creates a Homunculus to spy on Sinbad:

How can I create a Homonculus?

​Swiss alchemist Paracelsus (1493–1541), in his De natura rerum (1537) outlines how to create Homunculi, not something to be taken lightly.

The sperm of a man be putrefied by itself in a sealed cucurbit for forty days with the highest degree of putrefaction in a horse's womb warmed by "venter equinus, warm, fermenting horse dung", or at least so long that it comes to life and moves itself, and stirs, which is easily observed. After this time, it will look somewhat like a man, but transparent, without a body. If, after this, it be fed wisely with the Arcanum of human blood, and be nourished for up to forty weeks, and be kept in the even heat of the horse's womb, a living human child grows therefrom, with all its members like another child, which is born of a woman, but much smaller.

​The homunculus was a potentially powerful but also somewhat limited creature; only thriving for any time within its glass container and sustained only on a particular strain of blood known only to alchemists.

The homunculus acted as seer, protector and servant, not as a weapon; neither good nor evil, counted on only to follow the will of their master, be it for pure means or ill.

The Chymical Wedding of Christian Rosenkreutz (1616), concludes with the creation of a male and female Homunculi duo, suggesting the ultimate goal of alchemy is not transmutation of metal but the creation of artificial humans. In 1775, Count Johann Ferdinand von Kufstein, assisted by the cleric/mystic AbbĂ© Geloni, created ten homunculi with the ability to foresee the future (see also Small Prophets), kept in glass containers at the Vienna’s Masonic lodge.

​From The Strange Experiments of Count Kuefstein: The Man Who Made Ten Homunculi by Rade Kolbas (2024):

They worked on creating ten spirits, which they claimed to have successfully captured in glass jars. Each spirit was unique: there was a king, a queen, a knight, a monk, a seraph, a nun, a miner, an architect, and two other spirits, one blue and one red, that were only visible through specific rituals. The spirits were said to be small, initially just a few inches in size, and were captured in jars filled with a clear liquid, possibly holy water. The jars were sealed with a special ox bladder and a sigil, believed to prevent the spirits from escaping. Abbé Geloni assured Count Kuefstein that the spirits would grow, which they allegedly did, eventually reaching a length of over a foot. The captured spirits were then dressed and assigned certain roles, the king wore a crown, the knight carried a shield, and so on.

​The captured spirits played a role in the Count’s interactions with other members of the Freemason and Rosicrucian orders. On several occasions, he invited prominent members of these secret societies to Greillenstein Castle to witness the spirits in action. These demonstrations were highly secretive, with only a select few allowed to attend. The spirits, according to witnesses, would move within their jars, change color, and even “speak” in a faint, barely audible voice. While some attendees were convinced of the spirits’ authenticity, others suspected that the Count and Geloni were using clever tricks to create the illusion of supernatural activity.

​Not everything went smoothly during Count Kuefstein’s experiments. One notable incident involved the breaking of the jar containing the monk spirit. During an attempted ritual, Count Kuefstein accidentally knocked the jar over, causing it to shatter and the spirit to “die.” The Count’s attempts to replace the monk spirit with a new creation, an “admiral” spirit, ended in failure, as the new entity lacked the vitality of its predecessors. Another failed experiment involved an attempt to create a spirit that could provide more direct and accurate answers to questions posed by the Count. This spirit, which was supposed to be a “sage,” never fully formed, and the liquid in its jar remained cloudy and inert.

Dr. Emil Besetzny's 1873 Masonic handbook, Die Sphinx, devoted a chapter to the wahrsagenden Geister (scrying ghosts), apparently a form of Homunculi.

prophets
https://commons.wikimedia.org/wiki/File:Alchemische_Vereinigung_aus_dem_Donum_Dei.jpg

The Golem and Mandrakes

Homunculi have been compared to Jewish folklore’s protective Golem, a lofty animated anthropomorphic artificial being created from mud/clay.

The most well-known account of the golem is The Golem of Prague created by Judah Lowe ben Bezalel, in the 16th century.

The homunculus may have also been inspired by the German folk tradition of the mandragora (mandrake). Author Jean-Baptiste Pitois (1811-1877) likened the creation of a mandragora to that of a homunculus, writing:

“Would you like to make a Mandragora, as powerful as the homunculus so praised by Paracelsus? Then find a root of the plant called bryony. Take it out of the ground on a Monday (the day of the Moon), a little time after the vernal equinox. Cut off the ends of the root and bury it at night in some country churchyard in a dead man’s grave. For 30 days, water it with cow’s milk in which three bats have been drowned. When the 31st day arrives, take out the root in the middle of the night and dry it in an oven heated with branches of verbena; then wrap it in a piece of a dead man’s winding-sheet [burial shroud] and carry it with you everywhere.”

prophets
https://commons.wikimedia.org/wiki/File:Homunculus_Faust.jpg

An Homunculus also featured in 2005’s The League of Gentlemen's Apocalypse, created by 17th-century sorcerer Dr. Erasmus Pea (played by David Warner):

https://commons.wikimedia.org/wiki/File:Landesmuseum_W%C3%BCrttemberg_-_Kunstkammer-Schmuckkasettep1190.jpg

​"Scenes with Witches: Morning, Day, Evening and Night" by Salvator Rosa (1645 to 1649). A witch pours candle wax into her brew as it boils atop a fire, while another witch holds a book of spells. A demon (or, maybe even the Devil) looks on.

https://commons.wikimedia.org/wiki/File:Tricot_2011_-_Homunculus.jpg

LINKS

Stephen Arnell’s novel THE GREAT ONE, is available on Amazon Kindle

SAMPLE: