Friday, 1 May 2026

Dead in the Water

“I love a sunburnt country,

a land of sweeping plains,

Of ragged mountain ranges,

Of droughts and flooding rains.

I love her far horizons,

I love her jewel-sea,

Her beauty and her terror-

The wide brown land for me!”

(From the 1904 poem “My Country”, by Dorothea Mackellar)

I’ve got a question, one which I’m fairly sure I’m not alone in pondering; can a place or object be cursed? Could an ancient curse be the reason for the 21 recorded deaths at an innocent-looking waterhole in a humid jungle in the tropical far North of Queensland, Australia? Could disregard for an old maritime superstition be the reason so many people who have come into contact with an old shipwreck in Western Australia- a wreck with a sinister reputation- have suffered bad luck, and some even death?

These are questions which warrant further exploration, and the locations pertaining to those questions are intriguing indeed, as are their stories. This country, although a “young” one in terms of European colonisation, has a history that stretches back into the dim reaches of time, with its Indigenous custodians, the Australian Aborigines, having arrived here well over 40,000 years ago. It also has a more recent history related to its use as a penal colony, one marred by bloodshed and brutality, and accordingly, abounds with ghost stories. The following two tales, however, are not so much about ghosts- although these are mentioned on occasion. These are stories of two places said to be cursed, and of those who were, perhaps, their victims...

THE “DEVIL’S POOL” - BABINDA, FAR NORTH QUEENSLAND

Deep within a verdant tropical rainforest in Babinda, Cairns, in Far North Queensland, lies a deceptively peaceful-looking pool of clear, invitingly cool water. But visitors to this location should avoid the temptation to swim here, and warning signs have also been posted prohibiting swimming; doing so has cost many an unsuspecting traveler their lives. This is the Devil’s Pool, and it has a sinister reputation. Over the past 60 years, roughly 21 people have lost their lives in these waters- most of them male, almost all of them white. Old newspaper reports indicate that there may have been more lives lost there before official records began, but the official death toll alone is enough to have raised both curiosity, and speculation that something was...wrong...with that part of the creek.

cursed
The Devil’s Pool, seen from above (image courtesy of Facebook/Scott Harty/FNQ Waterfalls page

BACK IN THE DREAMTIME

Babinda is an Australian Indigenous/Aboriginal word, and comes from the words “Bunna” (running water) and “Binda” (shoulder or rock), and is known to the Indigenous people in the area as a sacred place, but also, or at least to some, it is a known as a cursed place- an evil one. There is an old Indigenous “Dreamtime” (creation story) legend attached to the Devil’s Pool, which tells of a beautiful young woman named Oolana from the Yidinji tribe, who was promised to an elder from the same tribe, Waroonoo. A neighbouring tribe arrived in the area one day, and Oolana soon fell hopelessly in love with a handsome young warrior from that tribe named Dyga. Realizing they would be punished by their respective tribes for their adultery, the young lovers fled into the valleys, but were soon caught by the tribal Elders. Rather than face harsh punishment at the hands of the angry Elders, the distraught Oolana broke away from her captors, and threw herself into the calm waters of the creek of which the Devil’s Pool is part, screaming for Dyga to join her.

According to the legend, as soon as Dyga hit the water, the tranquil creek erupted into a rushing torrent, and in a section of the creek now known as the ‘washing machine’, the wailing Oolana disappeared among the huge boulders that lay scattered about submerged in the rushing water. Since that fateful day, Oolana’s spirit is said to be heard on occasion, crying out for her lost love, and is said by some locals to seek him still, by luring young men to their deaths in the Devil’s Pool; a story similar to those of the Lorelei of the Rhine river, or the fabled Sirens of maritime lore. The waters have thus also earned a haunted reputation, and tourists and travellers are warned not to swim there. However, according to some Indigenous locals in the area, there is a belief that those of their culture are quite safe to enter the water, and remain unharmed.

The rumours of Oolana’s spirit could likely be attributed to hearsay, as no confirmation of any encounters with her apparition are to be found, but the paranormal connotations that surround the site have nonetheless persisted for quite some time, as illustrated by the story of Patrick McGann...

cursed
Aboriginal artist Paul Bong’s painting depicting Oolana in the “washing machine”. (Image credit: Paul Bong)
cursed
The warning sign at the Devil’s Pool (Image credit: Cairns City Council website)
cursed
Diagram of the hazardous areas (Image credit: Safety report, Cairns City Council website)

PATRICK, IN THE POOL?

In the carpark adjacent to The Boulders, a plaque memorializes one young, white, male victim- a nurse from New South Wales named Patrick McGann who, as the plaque poignantly states, “came for a visit on 22/6/79...and stayed forever”. The small, sad memorial was installed at the behest of Patrick’s father Terry, who almost lost his own life in the same spot as his son while assisting local Police in the search for the body. In an article published in the Australasian Post newspaper on the 2nd of March 1991, Terry spoke about a photograph, taken for Police records, which he strongly believed that the photograph contains an image of his departed son, saying:

It (the photograph) was for police records and when it was developed the sergeant at Babinda took me quietly to one side. There was Pat’s face in the water. He looked exactly the same in both photos, even to the cigarette in his mouth. I’ve spoken to many priests about it and one told me ‘there’s a lot of things in life we will never understand. This is one of them.
cursed
The “ghostly” image, believed by his father to be that of Patrick McGann (image credit: “Haunted” , Pinkney, J., 2005)
cursed
A photograph of Patrick McGann, taken by his girlfriend a short time before his death. (image credit: “Haunted”, Pinkney, J., 2005)

While the image taken of the area where Patrick McGann drowned may to some show only rocks and churning water, the comfort the image brought his father- that of believing his son’s spirit continues after death- is not to be doubted, nor belittled; nor does it negate the possibility of something anomalous having occurred at the Devil’s Pool. Is that something a curse, a ghost, both of the aforementioned? Or, as is commonly believed and has been proven repeatedly, is the Devil’s Pool, with its strong underwater currents and watery hidden caverns, merely a treacherous place to swim? To the Indigenous locals, it’s a combination of both. Perhaps the priest who spoke to Terry McGann was correct, that there are things that can never be understood- and perhaps the mystery that surrounds the Devil’s Pool is one of those.

THE ALKIMOS: YANCHEP BEACH, WESTERN AUSTRALIA

The Alkimos in 1963, prior to running aground (image credit: Shipwrecks WA/ Australian Geographic)

Jutting in rusted, time-worn pieces from jagged rocks a short distance from the golden-white sands of Yanchep beach, about 56 kilometers north of Western Australia’s capital city, Perth, are the remains of what was once a ship with a long history filled with misfortune- and apparently also home to a resident ghost. Divers and fishermen are wary of the wreck, and some avoid it entirely. Tourists who visit the beach to photograph it have sometimes found that their cameras won’t work, and upon attempting to leave the beach, some have had their cars refuse to start. The story of this ship is unusual to say the least, and she has become the stuff of Australian maritime- and paranormal- legend.

BAD LUCK FROM THE BEGINNING?

Now known as the Alkimos, her story began in America in October 1943, when she was known as the George M. Shriver, and was one of the 2,750 ships collectively known as Liberty Ships. Often named after influential American public figures of that time, Liberty ships were known for their rapid construction, with a new ship completed in about 10 days, and mostly without any issues, but the Alkimos apparently proved an immediate exception to that rule, with her construction rumored to have taken six weeks to complete. This was only the beginning of the series of misfortunes that would plague the ship until the end of her seafaring days.

The Alkimos in her final resting place (image credit: shipwreckswa.com)

An old maritime superstition maintains that to change the name of a ship is bad luck; and yet the George M. Shriver, only 9 days after being launched from the dock at the Bethlehem-Fairfield shipyards in Maryland on October 11, 1943, and upon being reassigned to the Norwegian Shipping and Trade Mission on October 20th, was renamed the M.V. Viggo Hansteen, after the then-prominent Norwegian lawyer, politician and labour activist who was executed by the Nazis two years previously. This re-christening seemed to mark the beginning of the ship’s almost endless bad luck.

WAR WOUNDS

The Viggo Hansteen’s first wartime mission was as part of a convoy to Bandur Shapur, via the Mediterranean and the Suez canal, and in early 1944, she set sail with a crew of 47 members comprised of Canadian and Norwegian members. Soon after she steamed, somehow unscathed, through a convoy of German U-boats in the Atlantic, many of the ships around her were destroyed. However, this seeming good luck was to be only temporary, and the Viggo Hansteen beached herself on an uncharted reef shortly after. The next morning, however, she was mysteriously floating free again. Upon her return to New York soon after freeing herself from the reef, the ship was loaded with a cargo of ammunition and gliders, and a 28-year-old Canadian radio operator named Maude Elizabeth Steane joined the crew. She served on the ship for only a few months, then while the ship was unloading gliders in Piombini (or according to some reports, Naples), Italy, on August 14, 1944, Maude Elizabeth Steane was shot and killed by the ship’s Norwegian gunnery officer, who then turned the gun upon himself. Due to the horrific nature of the incident, the Military concealed the true cause of her death, and instead listed her as the first Canadian woman to die in active service, killed by enemy fire.

The rumour that the ship was jinxed began to circulate at this point, and the ghost of Maude Steane was held responsible. Then came the repeated, unexplainable breakdowns and mechanical faults, which saw the ship deemed a danger to the other vessels in any convoy she was part of. The Viggo Hansteen, at one point, was apparently in drydock more often than she was at sea. Crew turnover between missions was reportedly close to 100%, possibly due to numerous accounts of paranormal activity on board, and the belief held by crew members that the ship was cursed- a belief that seemed to be reinforced by the misfortune that touched a great many who had ventured on board the ship. An improbably large amount of crew members are said to have suffered injuries or illnesses, and others had family members die unexpectedly, or commit suicide.

NO PEACE IN PEACETIME

When peace was declared in 1945 the United States sold off its Liberty ships, and the Viggo Hansteen was sold twice more, with the first sale (to an S. Ugelstad from Oslo) occurring in 1946. In April 1952, she ran aground off the coast of New Zealand, suffering slight damage, and it was at that time that reports began circulating of sightings of a hulking figure dressed in oilskins, rubber boots, and a green seaman’s coat, being regularly seen on the deck. As is somewhat common with frequently sighted apparitions, the resident ghost was given a name- Henry.

After having run aground, the damaged ship was sold to owners from Costa Rica, who had her repaired, and then in 1953 she was again sold, this time to a Greek trading company, who acquired the ship at a bargain price. Once more, maritime superstition concerning changing a ship’s name was disregarded, and the ship was renamed the S.S. Alkimos, which was both the name of a Greek god, and their word for “strong”, and is the name she bears to this day. Under this name, the ship travelled the world’s oceans without incident for nearly a decade, until March 20th 1963 when, during a voyage from Jakarta to Bunbury, Western Australia, she hit Beagle Island Reef, near the city of Geraldton, north of Perth, Western Australia’s capital city. Having suffered heavy damage, the ship was towed to Fremantle (also in Western Australia), where she underwent repairs for two months.

After settlement of a dispute concerning payment for the repairs, the Alkimos left Fremantle under tow by the Hong Kong-based tugboat Pacific Reserves. Only a few hours out of port the tow line snapped in the rough waters, and the Alkimos was driven by the strong currents towards the shore. Although intact, the ship could not be refloated at the time, so she was beached north of Fremantle, filled with water to secure her in place, and left in the charge of an onboard caretaker, the first of a succession of people who were employed to stay on the ship to guard her. That first caretaker, an American exchange student named Wayne Morgan, later told staff at the hospital he was admitted to after his experiences on the ship, of the terrifying days and nights he had spent on board, often cowering fearfully in his cabin, too afraid to open the door; of witnessing an immense, misty, human-shaped figure stalking the decks; and of cabin doors being opened and closed unaided by human hand. He quit, terrified, and was succeeded by a married couple, who also quit after the pregnant wife fell while on board the ship, later giving birth to a stillborn baby.

SALVAGING SCARES

The Alkimos remained stranded north of Fremantle until early 1964 when, on February 28th, a tugboat from the Philippines, the Pacific Star, arrived and managed to refloat the ship. However, shortly after the return journey began, the captain of the tugboat was arrested and detained due to money he owed to a company in Manila. As the Alkimos was no longer legally allowed to be towed or offered aid by the Pacific Star, she was set at anchor between the reefs of Eglington rocks, roughly 4 kilometers south of Yanchep beach, where she was left abandoned. The Pacific Star was mysteriously set ablaze while in port awaiting legal proceedings, and the doomed Alkimos broke anchor 4 months later, drifting onto Eglington rocks, where she remains to this day.

The Alkimos as she looks now (image credit: Instagram/@matt.odonoghue.images)

Over the following years, a number of salvage crews and caretakers lived on board the Alkimos as they attempted to save what they could of the ship, but each of those attempts were in vain. The first salvage attempt was cut short after a fire somehow broke out on board and all work had to be ceased due to the ship having been more damaged than was first thought. Soon after, the Alkimos was sold by her owners for scrap. Numerous further attempts at salvage were made over time- twelve in total, but none were successful. In 1969, one crew of salvage workers were driven off the wreck after yet another mysterious fire, and it was becoming increasingly apparent, at least to those on board, that the ship was haunted. Workers reported having had their tools moved by unseen hands, and spoke also of tools vanishing, only to reappear later. Salvage crews would stay on board 24/7 while they worked on the Alkimos, and many would refuse to leave their cabins at night if alone, for fear of what they may encounter. Those that did muster the courage to leave often reported hearing footsteps following them. The sound of someone climbing one of the ladders to the deck above was also heard on one occasion, when all the crew members were accounted for. The sounds and smells of food being prepared in the galley were reported too, but these would cease when those brave enough to investigate them would open the galley door, only resuming after the door was closed again. These experiences terrified several men to the extent that they quit their jobs rather than face another night of fear on the ship.

Now permanently stranded, the Alkimos was bought and sold again and again. Each new owner experienced misfortune of some sort. Several declared bankruptcy, others became seriously ill. Once they sold the ship, however, they were apparently no longer plagued by bad luck. Years passed, and attempts to salvage the Alkimos stopped. Her partly-dismantled remains sat in several metres of water, gradually being claimed by the sea, and a source of great interest to the curious onlookers who would frequently gather on the beach...and the legend of the cursed, haunted ship only continued to grow.

HORRIBLE HENRY

Cray (crayfish) fishermen in the area soon began to report seeing an extremely tall man dressed in oilskins on the decks of the Alkimos, and at first it was thought he was a hermit who had taken residence on the ship, but when the ship was searched, no trace of human habitation could be found. Talk of a curse was further fueled by the discovery of a human skull, found to be that of champion long distance swimmer named Herbert Voigt, who vanished in March, 1969, while attempting to swim from Cottesloe to Rottnest island. An extensive air-sea search failing to locate him. According to some reports, his skull was found four years later lodged in the hull of the Alkimos, and although how this discovery was made has never been adequately explained, it only added further weight to the case for a curse. Curiously, Voigt’s planned route was to have taken him nowhere near the ship. A number of people who have been on the beach near the ship are said to have slipped and fallen, or have become ill after their visit. Horses ridden on the nearby beach would become nervous, some riders would claim, and would either bolt in terror, or even refuse to pass the ship.

JACK’S JINX?

The most impressive documentation of the strange occurrences on board the Alkimos comes from Jack Sue, a renowned diver in Perth, who was so affected by his experiences on board the Alkimos to such an extent that he wrote a book about them, titled “The Ghost of the Alkimos” (Wong Sue, J., 2001, Jack Sue WA Skindivers Publication). Originally having no belief whatsoever in the paranormal, Sue had his mind changed when, accompanied by a film crew and several fellow skindivers, he spent a hair-raising night aboard the now-notorious old ship, as host of the Australian television program “Down Under”. Soon after they set foot on board the ship, determined to prove that nothing paranormal was taking place, a series of strange and terrifying events occurred for which they had no explanation. Multiple people reported listening in sheer amazement as the sound of sneezes, accompanied by footsteps, echoed from an area below deck known by everyone to be empty. One skindiver felt the sensation of something large brushing past him, and then watched in abject terror as the figure of a towering man, clad in oilskins, passed through a solid steel bulkhead. Sue, while attempting at some point to sleep below deck, reported having heard what sounded like someone rolling over in an adjacent bunk- one which he knew was unoccupied at the time.

Several of those who spent the night aboard the Alkimos would later regret their adventures, as they too would suffer illnesses, misfortunes, and tragedies. Jack Sue collapsed the day after he set foot ashore, and was hospitalized for almost a year, with doctors unable to diagnose his illness; another man lost his business, and yet another lost his girlfriend in a plane crash. In 1997 Jack Sue, despite swearing decades earlier to never have anything to do with the Alkimos again, ventured to the beach with the clearest view of the wreck, and soon after this he suffered a severe stroke. In an interview published on the 18th of January 1998 in Sydney’s Herald Sun newspaper, Sue said of the ship whose malignant influence had touched so many unfortunate people:

“It’s probably just coincidence, but you never can tell with the Alkimos. I can’t help thinking of the number of people who’ve driven down that beach in four-wheel drives to photograph the wreck and had their cars break down, or their cameras fail, or their watches stop. That ship is bad luck”.

CURSED QUESTIONS!

Stories of “cursed” objects and locations can be found in countries and cultures worldwide. We’re left to consider the nature- the possibility (or lack thereof)- of the existence of such things as curses. Could it be that a “curse” is an accumulation over time of energetic “traces” left behind by successive events charged with emotional energy- akin to that which the well-known Place Memory/Stone Tape hypothesis championed by T.C. Lethbridge seems to suggest? Could a series of many negative events, such as those linked to the Devil’s Pool and the Alkimos, leave negative energetic “traces”, and could these then accumulate? Could this energy physically impact someone, and if so, how, and by what mechanism? Does a person have to believe in curses for one to work? Could events that are blamed on a curse all be simply unfortunate coincidences, and misperception of events which could have an alternate, non-paranormal explanation? Whatever the answer may be, and whatever the explanation for the events at both of the above locations, their stories of curses and ghosts remain intriguing to many today, and are perhaps two of the most fascinating in Australia’s paranormal history.

Monday, 20 April 2026

Arthur’s Oven: Scotland’s Mysterious ‘Cursed’ Roman Beehive Temple

arthur's oven
https://commons.wikimedia.org/wiki/File:Arthur%27s_oven_-_Gordon_1726.jpg

This would be Arthur’s Oven/O’on

For over fifteen hundred years, visitors beyond the remains of Rome’s Antonine Wall in Scotland’s Central Lowlands would be greeted by a mysterious sight if they took the route along River Carron in Stenhousemuir (Stone House in English).

This would be Arthur's Oven/O'on (Scots), an towering ancient igloo/beehive shaped stone building (hence the village name) believed to be a Roman temple of some sort rising commandingly on the high ground above the north bank of the Carron. In the Historia Brittonum by 9th century Welsh monk Nennius, the structure is described as a "round house of polished stone". Aside from King Arthur, the Oven has been attributed to Romans Julius Caesar, Vespasian, and the usurper Carausius, but the most likely builder is the Emperor Septimius Severus (145-211 AD), who campaigned north of the Antonine Wall across 208-2011 AD.

https://commons.wikimedia.org/wiki/File:Septimius_Severus_Glyptothek_Munich_357_cropped.jpg

The war started well enough for Severus, who managed to quickly reach the Antonine Wall which had been abandoned around 160-65 AD, but when he ventured into the highlands, the campaign became bogged down in a guerrilla war and the attempt to fully conquer Caledonia was never accomplished.

However he did reoccupy many forts built by Agricola over 100 years earlier and stymied the ability of the Caledonians to raid Roman Britain for some years.

​With some possible exceptions (such as the Mausoleums of Augustus, Hadrian and Caecilia Metella in Rome, also Lucius Munatius Plancus in Gaeta) the building had few parallels anywhere in the Northern Roman empire, certainly in its unique beehive shape.

arthur's oven
https://commons.wikimedia.org/wiki/File:55_-_SEPOLCRO_DI_L._MUNAZIO_PLANCO.jpg

On reflection though, the mausoleum where the Berber King Juba II (son of Juba I of Numidia) and Queen Cleopatra Selene II (daughter of Antony and Cleopatra) were buried, also bears a certain vague resemblance to descriptions of Arthur’s Oven.

https://commons.wikimedia.org/wiki/File:Le_Mausol%C3%A9e_royal_de_Maur%C3%A9tanie1.jpg

In terms of the Oven, antiquarians left sketchy records of inscriptions, also carvings of eagles and victories. A single large stone slab lay in the centre of the floor forming a pedestal for a statue, one solitary bronze finger of which survived, lodged in a crevice. It is possible that the circular Roman building here was a temple dedicated to the goddess Victory or Mars, called a tropaeum by classicists..

Two other tropaeums include the rebuilt Trajan's Trophy in Romania and that of Augustus in La Turbie, near Monaco.

arthur's oven
https://commons.wikimedia.org/wiki/File:Vedere_spre_Tropaeum_Traiani.jpg
arthur's oven
https://commons.wikimedia.org/wiki/File:La_Turbie,St_Michel01.jpgAr

The Arthurian Connection

Arthur’s Oven lay close to the Roman fort at Camelon, the name itself prompting connections with the legendary Brythonic leader, although the name 'Camelon' may well have been coined by early antiquarians after the 15th century, with its earlier name being Carmore or Carmure. The myth of Camelon's twelve Arthurian (or Roman) brass gates was widespread but only commonplace items such as leather shoes and coins were found when a Tesco's supermarket was constructed in the area.

​Scottish historian and folklorist Archie McKerracher (d. 2001) believed Arthur’s O’on was in fact Arthur’s famous Round Table where the King consulted his knights, who sat on a stone ledge reported within the building.

​Septimius Severus: The Roman Who Tried To Take Scotland:

Arthur’s Oven was left largely intact when the Roman army withdrew from Scotland; maybe they couldn’t simply destroy a sacred structure especially if it represented not just a tropaeum but also served as a memorial to the men who had helped achieve the victory that had for a time secured the area.

Arthur’s Oven was denuded of its portable contents by the army before the legions decamped back to Hadrian’s Wall.

The indigenous population did not destroy the Oven once they had taken possession of it, a powerful sign of their triumph over the Romans? Perhaps as significant a symbol as the capture of a legionary eagle bestowing high honour on the tribe who held it?

The building remained impressive and its possession would have given distinction to any new owner, visible from a great distance, projecting an aura of power and influence over the surrounding land. It may have been used as a sacred shrine or a great hall – a meeting place of peoples and possibly a beacon for travellers. The O’on‘s hall-like chamber may have boasted an open fire set in the centre of the stone-paved floor, with smoke escaping through the top of the ‘beehive’. Dark Age Pictish society was after all hierarchical and status would be associated with symbols from the Roman occupation.

Arthur’s Oven survived through the following centuries, with even Edward I , ‘Hammer of the Scots’ leaving it undespoiled (unlike his theft of the Stone of Scone), presumably due to its Arthurian associations, which he wished to attach to himself, although some say he removed any remaining pagan symbols.

By the early eighteenth century, Arthur's O'on was one of the most celebrated antiquities in Britain. For the famed William Stukeley, it was "the most genuine and curious Antiquity of the Romans in this Kind, now to be seen in our Island or elsewhere.”

​However, Sir Michael Bruce of Stenhouse, whose lands straddled the Carron, decided that his new mill needed a dam and rather than quarry fresh stone, he turned to the ancient structure standing nearby.

In his eyes the Oven was a ready-made source of high-quality building material. Within a few weeks, easily the best-preserved Roman monument in Scotland was obliterated, the stones carried away for the dam's construction. A structure that survived nearly sixteen centuries of weather, warfare, and neglect was undone by the spade of its greedy landlord, enraging classicists.

​Bruce certainly wasn’t poor, and at the time of its destruction some gentlemen offered to assist him, redeeming the oven, providing him with free stone from a quarry, but he refused this . He may have wanted to rid himself of an ancient monument that attracted too many unwelcome visitors trampling onto his land, obstructing his other money-making schemes.

​According to the Rev John Bonar, then Minister for Larbert Parish Church, “The curious will regret that the owner of Stenhouse and Stenhouse Mill was so destitute of all regard for antiquity. He certainly was no dilettante, neither real nor pretended. He was not one of the admirers of the beautiful and of the rare in the material world.”

Sir John Clerk of Penicuik, a leading Scottish antiquary, accused Bruce of having "no other motive had but to procure as many stones as he could have purchased in his own quarries for five shillings." His friend and fellow antiquarian Roger Gale transcribed the news into the minutes of the Society of Antiquaries of London, ensuring that the demolition would be remembered as a cautionary tale of wanton destruction.

​William Stukeley was furious. In an extraordinary drawing, he imagined Bruce undergoing eternal punishment:

Stukeley's drawing of Sir Michael Bruce, "Stonekiller," eternally punished for his destruction of Arthur's O'on courtesy of Darrell J. Rohl

In a letter, he wrote, “I would propose, in order to make his name execrable to all posterity, that he should have an iron collar put about his neck, like a yoke; at each extremity a stone of Arthur's O'on to be suspended by the lewis in the hole of them; thus accoutred, let him wander on the banks of Styx, perpetually agitated by angry demons with oxgoads; "Sir Michael Bruce," wrote on his back in large letters of burning phosphorus.”

One poet imagined a traveler walking along the Carron, talking with the stones of the demolished Oven; each piece bemoaned its fate, recalling the monument's former glory and cursing the man who destroyed it.

Sir John Clerk of Penicuik cursed Bruce "with Bell, Book, and Candle". Five years later, he reported gleefully the mill and dam built from the O'on's stones had been destroyed in a great storm; poetic justice of a sort. Whether Bruce ended up in eternal torment is a different matter, although the destruction of the dam certainly smacks of Olympian displeasure.

At his estate of Penicuik House, Clerk instructed his son James to design a new stable block boasting a dome directly modeled on Arthur's O'on. Using existing drawings and descriptions as a guide, a dovecote replica perches above the stables, where it stands to this very day.

https://commons.wikimedia.org/wiki/File:Penicuik_House_Stables.jpg

LINKS

​Under Another Sky: Journeys in Roman Britain by Charlotte Higgins, which includes Arthur’s Oven

STEPHEN ARNELL’S NOVEL THE GREAT ONE IS AVAILABLE ON AMAZON KINDLE

SAMPLE, READ BY ACTOR RICHARD INGS

From Arthur's O'on: A Scholar's Return, 15 Years Later by Darrell Rohl

Sunday, 5 April 2026

THE HAG GODDESS AND HER DAUGHTER

In Celtic cultures, the goddess of winter is the Cailleach, the old hag. The Cailleach is a wrinkled old woman with blue skin, rust colored teeth, and one immense eye in the center of her forehead. Her hair is long and wild and bone white. The goddess of winter appears at Samhain (Halloween) and rules until Beltane (May Day), when she is superseded by her daughter, Bride, the goddess of the spring.

Cailleach
By Internet Archive Book Images - https://www.flickr.com/photos/internetarchivebookimages/14566397697/Source book page: https://archive.org/stream/wondertalesfroms00mack/wondertalesfroms00mack#page/n28/mode/1up, No restrictions, https://commons.wikimedia.org/w/index.php?curid=43940524

As Patricia Monaghan writes in The Goddess Companion, quoting a Scottish song about the Cailleach:

“Her face had the blue-black shine of coal.
Her one bony tooth was red like rust.
Her hair was thick and dense and gray
like brushwood in a dying forest.
In her head was one eye like a pool,
swifter than a star in the winter sky.
That one stone eye in the hag’s head
moved quicker than mackerel after a lure.”

The Cailleach is more than a weather witch. She is a Neolithic Scottish creation goddess, a sort of giantess with amazing size and strength. The hag fashioned the Scottish mountains with her hammer. The goddess made the islands by dropping chunks of peat and rock from a basket on her back. Hikers see her hand print or footprint on rock formations.

Along with deliberate landscape fashioning, the winter goddess sometimes created land features by mistake. For example, after a long day of milking her deer herds, she lifted a rock on the side of Ben Cruachan to reveal a spring of fresh water to drink and bathe in. She was so tired, and the water was so refreshing, that she fell asleep without replacing the rock cap. When she awoke, the waters had rushed down the side of Ben Cruachan to form Lake Awe, the largest fresh water lake in Scotland.

The Cailleach, also known as the “Veiled One,” functions in many roles, including as a kind of wise old grandmother goddess. The hag crone gently encourages those whose earthly time is ended to cross to the spirit world while she stretches her veil across the winter landscape. Her association with Bride, however, indicates the promise of rebirth. She is a guardian and midwife of spring, for she protects the seeds so that they may sprout when her daughter comes to power.

The hag goddess of winter rides a wolf and has a particular affinity for black cats. She is also a fierce protector of all animals, especially horned animals such as wild cattle, goats, and deer. When her singing is heard in the forest, Scottish hunters give up their quest, knowing there will be no meal to catch.

Cailleach

Once, a desperate man with a large family to feed kept on searching until night fell, though not a deer was to be found. Eventually he built a fire, and inspired by the Calliach’s tune ringing through the forest, he sang a song about her clever ways. When he looked across the fire, the old hag was there with a twinkle in her eye. She explained that her herd was growing too large and she could use a brave hunter to cull it. If he would follow her song the next day, she would lead to him a deer he could shoot. From that time forth, he was always a successful hunter, thanks to the Cailleach’s respect for his cleverness in calling on her by singing her praises.

As the goddess of winter, the hag brings the wind, snow and ice. She plunges her staff into the ground to freeze it. Her magic can thicken lakes into icy slabs by dropping her plaid into the water. The Cailleach is also the goddess of the harvest, urging folk to gather in the crops when her gusts turn cold and the morning fields are rimmed with frost. In some places, a farmer’s wife makes a corn dolly, tossing it onto the field of a neighbor who has not finished his harvest. That neighbor, in turn, finishes and tosses it to another. Farmers are in fierce competition to not be the last to have the corn dolly, for then they will have to keep it throughout the winter, meaning they have to feed and house the winter hag all season as well.

As a goddess, the Cailleach has many complicated qualities that can be called upon by the worshipper. She has fierce strength, the power to both destroy and build, the power the protect life, whether of the animals or of the seeds, the power to grant the rejuvenation of deep sleep.

Deep in Glen Lyon, inaccessible by car, lies the tiny Glen Cailleach where an ancient indigenous shrine to the Cailleach can be found.

Cailleach
Tigh nan Cailleach, near Glen Lyon in Perthshire, Scotland By Richard Bisset - Own work, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=10530829

Legend has it that if the small stone statues of the Cailleach and her husband and children are placed carefully inside this small turf roofed stone hut at Samhain (Halloween), the land will prosper. These same statures are brought out into the meadow in front of the hut at Beltane (May Day) to protect the land during the spring and summer months. The local people re-roof her hut at this time in a ceremony of gratitude to the Goddess. Researchers think this ritual has been performed at this site for thousands of years, and it is still performed today.

The Cailleach has a famous daughter, the beautiful spring goddess Bride (known as Brigid in Ireland). The Cailleach is threatened by her daughter’s beauty, for it is so great that she is able to make ice melt and flowers grow merely by her glance. The Cailleach’s fear forces her to keep Bride imprisoned on the top of Ben Nevis, Scotland’s tallest mountain. Every day the hag forces Bride to do impossible tasks, and then punishes her when she fails.

One day, while Bride is trying unsuccessfully to wash the Cailleach’s plaid in the lake, a kindly old man appears. He is sympathetic to her plight and hands her a bouquet of snowdrops, suggesting that she show them to the Cailleach. The girl, determining she has nothing to lose, does so. The Cailleach, who knows that the flowers mean her power is beginning to wane, is furious. She rides to every corner of Scotland, shaking her staff and burying the land in snow, ice and frost.

Scotland
Ben Cruachan, highest point in Argyll and Bute, home of the Cailleach nan Cruachan, By Graham Lewis - Ben Cruachan, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=26172267

The kind old man turns out to be Angus, the prince of summer, in disguise. He rescues Bride from the imprisonment of the Cailleach and flies with her to the Isle of Summer. They dwell there happily, but the goddess Bride misses Scotland, so the couple returns to visit again and again. Each time, the sun shines brighter, the earth warms more, the trees bud and leaf, and the flowers grow more plentiful. The winter goddess throws wind and cold at them with less and less success, until finally the Cailleach gives up in exhaustion on Beltane (May Day), going to sleep again until Samhain.

https://www.youtube.com/watch?v=joKYWzzjuro

Bride, the Celtic goddess of spring, is welcomed across Scotland and Ireland on Imbolc (February 1) because Angus first rescues her then, and also because it is when ewes first give milk. Bride is not only the goddess of spring, but also of fire, of the forge, of light itself, of dawn, of fertility, of healing, of water (she has many holy wells and rivers associated with her), and of inspiration, especially for writing poetry. She is also associated with serpents, because they shed their skins and are thus symbols of regeneration.

Bride is a liminal goddess, meaning that she reigns over the in-between. Spring is a slow and subtle time between winter and summer. Dawn is a subtle time between night and day. Bride, according to legend, was born in a doorsill, thus neither inside nor outside.This goddess governs becoming, emerging, forming. She governs the forge, in which metal is formed, and poetry, in which meaning and image are formed. She governs water, which is the original womb of all life on earth.

One of her most ancient names was Breo-saighead, the fiery arrow, the goddess who brings light from darkness. The season of Imbolc does not bring the bright sun of summer, but rather the subtle shift of the angle of the sun’s rays slowly marches toward the equinox and eventually the summer solstice. Once again, she is a subtle goddess, the slow birther.

Cailleach
Labbacallee wedge tomb or "The Hag's Bed", near Glanworth, County Cork, By VisionsofthePast - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=35693041

As a goddess associated with light, Bride is involved with spiritual wisdom, truth, healing, prophecy, and divination. These arts grow slowly to fruition, though their ultimate flowering may appear as a sudden burst. This is also true of the plant and animal kingdoms, where the slow period of gestation ends with the sudden birthing of a baby animal or a flowering tree. She is thus associated with healthy livestock and crops.

Fire, of course, melts snow and warms things. The Druids, who worshipped Bride, are said to have kept a perpetual fire alive in her honor. Such fires may have been burned for her up to the fifteenth century, by which time she had been conflated with Saint Brigid of Kildare and had found favor with nuns. The Druids also associated the goddess with their important bardic traditions, which preserved history through the recitation of poetry.

Today in Scotland, it is common to leave a strip of cloth or a piece of clothing outside on the eve of Imbolc so that it collects dew overnight. Bride bestows this dew as a blessing for the health and well-being of the family. People fashion special “Bride’s crosses” (AKA “Brigid’s Crosses”) from reeds or straw and hang them on the door for protection. Traditionalists eat special bannocks (Scottish quick bread), and may drink the milk of ewes if it is available. They cleanse the hearth of old ashes and lay a new fire for Bride. In homes lacking a hearth, people light candles in her honor. Young girls make Bride dolls of straw or reeds and carry them from home to home to bring blessings.

The weather on Imbolc determines the length of remaining winter. If the weather is sunny, the Cailleach is gathering a large amount of firewood and winter will be long. If the weather is foul, she gathers less and spring will come sooner. This Scottish tradition is the precursor to the American tradition of Groundhog Day. In this small way, the goddesses of Scotland still influence those of us in the “New World.”

How Wily Welsh Trickster Jack o’Kent Outwitted the Devil

devil
https://commons.wikimedia.org/wiki/File:Vale_of_Rheidol_railway_between_Aberystwyth_and_Devils_Bridge,_and_Snowdon_Mountain_Railway_(1458823).jpg

​Jack o' Kent or Jack-a-Kent is a folkloric character from the Welsh Marches bordering England and Wales, either a cleric or wizard, but primarily a trickster known for regularly beating the Devil in various challenges and wagers.

devil
https://commons.wikimedia.org/wiki/File:The_Sugar_Loaf_mountain_near_Abergavenny_-_geograph.org.uk_-_3421682.jpg

Jack’s tales are used to tell the origin of many of the geological formations around the region, ascribing them to his contests with The Horned One. Jack is said to have bet the Devil that Monmouthshire’s Sugar Loaf Mountain (Wales) was higher than the Malvern Hills of Worcestershire, Herefordshire and northern Gloucestershire in England.

https://commons.wikimedia.org/wiki/File:Malvern_Hills_-_England.jpg

When Jack proved the Devil wrong, Old Nick tried to put more earth on top of the Malvern Hills, but his wheelbarrow broke and dropped it, forming a lump. The cleft in the western part of Skirrid in the Black Mountains is said to have been caused by a presumably giant-sized Jack's bootee as he jumped onto it from the Sugar Loaf Mountain.

https://commons.wikimedia.org/wiki/File:Ysgyryd_Fawr_-_the_Skirrid_viewed_from_Pandy_-_geograph.org.uk_-_3633209.jpg

Trelleck’s Standing Stones are said to have been thrown there by Jack, resulting from a stone-flinging competition held on Trelleck Beacon between him and his adversary.

https://commons.wikimedia.org/wiki/File:Harold%27s_Stones,_Trelleck_-_geograph.org.uk_-_6449077.jpg

​He first appears in print in the play ‘John a Kent and John a Cumber’, by playwright/spy Anthony Munday, from around 1590, with Jack as an aged hermit with supernatural powers. Real-life figures on whom o’ Kent could be based on include John Kent, a Robin Hood-like figure of the Late Middle Ages who roamed the Welsh Marches, Dr. John Gwent, a Welsh Franciscan and worker of miracles who died in 1348, Dr John Kent Caerleon, an astronomer, who wrote a treatise on witchcraft in the thirteenth century and Father John of Kentchurch, a Franciscan friar, bard, and Oxford Professor who lived and died in the fifteenth century.

As Jack o' Kent appears in a sixteenth-century play, it could be taken that he was well known in local culture before this time, used as bogeyman figure until the early twentieth century, or even later. There is also speculation that Jack could be Welsh language poet Siôn Cent (c. 1400–1430/45 or or 1367–1430) or Welsh freedom-fighter Owain Glyndŵr, (1359–c. 1416), who was supposed to have an affinity with the supernatural, hence, his boastful claim, “I can call spirits from the vasty deep” in Shakespeare’s Henry IV, Part One.

However it is more likely that Jack was a syncretic amalgam of a number of people and myths from the Welsh Borders.

Sidebar The Swansea Devil: a true story

devil
https://commons.wikimedia.org/wiki/File:Swansea_Devil_at_Swansea_Museum.jpg

​The Swansea Devil, also called Old Nick, is a wood carving of the Devil in Swansea, Wales. It was carved by an architect whose design for St. Mary's Church in the 1890s was nixed by a committee. Some time later, when designing an office building across the road, the rejected architect placed a carving of Satan facing the church and prophesied "When your church is destroyed and burnt to the ground my devil will remain laughing". This prophecy came true when the church was bombed during WWII.

Back to Jack

The myths surrounding John o’ Kent tend to revolve around his outwitting the devil. This power perversely stemming from him having sold his soul to the devil as a young boy to gain supernatural power or to have the ability to use Satan as his servant for a fixed period of time, Faust-style.

Jack used his power on occasion for public good; the best-known one associated with a bridge over the River Monnow between Kentchurch and Grosmont. With the Devil’s help, Jack built a bridge in a single night, on the promise that the Evil One could have the soul of the first to cross. With the bridge complete, the devil impatiently wanted his reward for keeping his side of the bargain before daylight approached, wanting Jack to be the first to cross his new bridge. Not a total halfwit, Jack spotted a poor old starving dog nearby and threw a the bone across the bridge and the hapless mutt chased after it. As the cock crowed, Satan was forced to take the soul of the harmless creature as his reward.

On one occasion, when passing a field when seeds were sown with his evil companion, Jack offered the Devil a choice at harvest-time, of having half the crop and offered the top or the bottom. Satan, thinking it would be wheat, barley, oats, rye, peas, beans or some such, opted for the top. When the harvest came, he discovered it was a field of turnips. Jack made the same offer again and the Devil chose the bottom half, only to discover at harvest-time that the crop was wheat. Silly Devil and rather petty Jack, methinks.

​Jack o’ Kent was said to have stabled great horses with magical powers of flight in Herefordshire’s Kentchurch Court. One day he set off at dawn with a steaming mince pie to take to the King for breakfast in London for some reason; he reached the city with the pie still hot – though he had shamefully lost his garter on the way, caught on the weathervane of a London church as his mighty steed leapt over it.

https://commons.wikimedia.org/wiki/File:Kentchurch_Court,_Herefordshire.jpg

On another occasion, Jack was employed by a farmer as a crow-scarer. Deciding he wanted to go to the fair that had just arrived in the local Welsh town, he summoned the crows and put them into an old roofless barn, where they stayed. At the fair, he bumped into the farmer who furiously hauled Jack back to the farm. But when Jack led him to the barn: all the crows were quietly gathered, despite the want of roof.

​And you’ll probably guess how this one goes: Jack and the Devil agree to split a drift of pigs. Satan agrees to take all the ones with straight tails, but o’ Kent feeds them all with beans and drives them though a stream, apparently resulting in the requisite kinks. Nice one Jack.

​By this point, one might be feeling a trifle sorry for Old Nick, so one may sympathize with his plan to get his own back on the Welsh trickster.

The Devil informs Jack that he will have his soul whether or not he is buried inside or outside a church, and will personally carry him off, body and soul, to Hell for a smorgasbord of legendary torments.

Crafty Jack’s answer was to be buried inside the thickness of the wall at Grosmont Church (or was it Kentchurch Church?), so neither inside nor outside the church, but in a liminal space between.

According to local folklore, there’s some proof that Jack escaped the fiery depths: in Kentchurch Court on stormy nights, a ghostly figure walks out of the wall and plays tricks, which could be a form of eternal damnation, if you ask me.

https://commons.wikimedia.org/wiki/File:St._Nicholas_Church,_Grosmont_-_geograph.org.uk_-_1070723.jpg

It’s also recounted the spikes on the top of the walls of Grosmont Church are where Jack’s innards and eyes were placed after his death. Akin to Prometheus, a crow and a dove return each evening at midnight to spar over his spiritual remains. If one wins, the old rogue’s final fate will be at last be decided…

​In St Nicholas’ churchyard, there once was a medieval preaching cross which had crudely carved depictions of Christ crucified and Mary the Virgin with baby Jesus. It was locally called Jack o’ Kent’s Cross.

Cross Ash School, Churches And Castles — Within the Grosmont Skenfrith and White Castle Trilateral, (1985) tell us about a local giant, saying that: “Under the wall of the South Transept, according to legend, lies the body of the giant, Jack of Kent, buried half inside the church and half outside the church, where his tombstone can still be seen.”

​Jack Of Kent by Huw and Tony Williams

Jack o' Kent by Albion

Beat the Devil (1953)

Incidentally, a recent PDB investigation of mine into another Jack - Hertfordshire’s ‘Jack O’Legs’:

LINKS:

Stephen Arnell’s historical novel THE GREAT ONE is available on Amazon Kindle:

His next book THE FORTUNATE ONE, on the life of Roman Dictator Sulla, will be published later this year.

Sulla as portrayed by Richard Harris, with Chris Noth as Pompey (the subject of THE GREAT ONE)